The photographic project tells an ancient story, rooted in Albanian oral traditions, connected to the Kanun of Lekë Dukagjini, a code that Father Costantino Gjeçov collected in 1912 in the communities of Mirdita, Madhe, and Dukajini. The Kanun regulated relations between individuals and clans, establishing moral and legal norms, among which the Gjakkmarrje, the blood feud. It was not a matter of blind hatred, but of community balance: the killing of a man required an immediate response to maintain honor and respect within society. The Besa, the truce, allowed revenge to be postponed, avoiding rash decisions.
During the civil war of 1997, clan feuds resumed violently, leaving families trapped in fear, children forced to abandon school, and communities marked by terror. I encountered these hidden realities in their mountain homes, breathing in the smell of their homes, listening to stories and traditions, and sharing moments of hospitality. I witnessed the dignity and helplessness that permeate these lives.
Today, the Kanun is no longer in force, but revenge has been handed down. Some ancient practices have been violated, such as respect for women’s lives, and the code is sometimes used merely as a pretext for conflict between clans. According to Zef Sokoli Vladi, the Kanun should guide toward values of honor and common sense, leaving behind the cruel norms of the past. Blood feuds remain, bearing witness to a tradition that survives in the memory and need to uphold family honor, between historical memory and the dramatic consequences of inherited violence.
